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Introduction:

“The Chair” by George Strait, released in 1985, is one of the most iconic songs in country music. It was written by the legendary songwriting duo Dean Dillon and Hank Cochran, who crafted the song in under an hour during a late-night writing session. The track was the first single from Strait’s fifth studio album, Something Special. Despite its simple narrative—about a man striking up a conversation with a woman at a bar—the song’s clever twist and lack of a traditional chorus make it stand out.

Strait’s smooth vocal delivery and impeccable timing helped “The Chair” become a significant hit, reaching number one on the country charts in both the U.S. and Canada. Its success was a pivotal moment in Strait’s career, showcasing his unique style and solidifying his reputation as one of country music’s most consistent hitmakers. The song also helped further popularize the neotraditional country sound that Strait championed in the 1980s, blending classic country elements with a modern flair.

Over the years, “The Chair” has earned a special place in Strait’s extensive catalog of hits, and it continues to be celebrated as one of his most beloved songs. It was even ranked among CMT’s top 100 country songs of all time, highlighting its enduring impact on the genre.

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Lyrics:

“The Chair”

Well, excuse me, but I think you’ve got my chair.
No, that one’s not taken, I don’t mind
If you sit here, I’ll be glad to share.
Yeah, it’s usually packed here on Friday nights.
Oh, if you don’t mind, could I talk you out of a light.Well, thank you, could I drink you a buy?
Oh, listen to me, what I mean is can I buy you a drink?
Anything you please.
Oh, you’re welcome, well, I don’t think I caught your name.
Are you waiting for someone to meet you here?
Well, that makes two of us glad you came.

No, I don’t know the name of the band, but they’re good.
Aren’t they, would you like to dance?
Yeah, I like this song too, it reminds me of you and me.
Well, baby do you think there’s a chance
That later on I could drive you home?
No, I don’t mind at all.

Oh, I like you too, and to tell you the truth
That wasn’t my chair after all.
Oh, I like you too, and to tell you the truth
That wasn’t my chair after all.