Elvis Prersley – “I Love Only One Girl”

By 1967, the landscape of music had undergone a seismic shift. The British Invasion, spearheaded by the likes of The Beatles and The Rolling Stones, was in full swing. Rock and roll had morphed into a grittier, more introspective beast, leaving some to wonder if Elvis, with his clean-cut good looks and playful tunes, could still hold his own.

“I Love Only One Girl” emerged from this transitional period. Released as part of the soundtrack for the film Double Trouble, it showcased a more mature Elvis. Gone were the days of pure rockabilly rebellion. This Elvis was smoother, more polished, his voice a touch deeper, a touch world-weary.

The song itself is a delightful paradox. The title, emblazoned with sincerity, promises a declaration of devotion. Yet, the lyrics reveal a charming wink towards Elvis’ established persona. He sings of a love for the girl “in his arms around,” but then playfully confesses his affection for a string of international beauties – “Mimi in Paris” and a mysterious “Japanese doll” – depending on the city and the moonlight.

“I Love Only One Girl” wasn’t a chart-topping smash, but it holds a special place in the hearts of Elvis aficionados. It’s a testament to his adaptability, his ability to navigate the changing tides of popular music. The song’s production, overseen by veteran producer Billy Strange, is a subtle blend of classic Elvis and the burgeoning psychedelic rock sounds of the era. The Jordanaires, Elvis’ longtime backing vocal group, provide their signature harmonies, adding a touch of gospel-tinged soulfulness.

“I Love Only One Girl” might not be the first Elvis song that springs to mind, but it’s a song that rewards close listening. It’s a glimpse into the King’s evolution as an artist, a reminder that even amidst changing trends, his charisma and musicality remained undeniable. So, put on your headphones, crank up the volume, and prepare to be surprised by this lesser-known gem from the King himself.