Introduction:
“Almost” is a poignant ballad recorded by Elvis Presley for his 1969 film The Trouble with Girls (and How to Get into It). The song was penned by the prolific songwriting duo Buddy Kaye and Ben Weisman, both of whom had established collaborative relationships with Presley. Weisman, notably, holds the distinction of having written more songs for Elvis than any other songwriter, contributing to hits like “Fame and Fortune” and “Follow That Dream.” Kaye, a versatile lyricist, had also worked with Presley on tracks such as “Wooden Heart.”
The recording session for “Almost” took place on October 23, 1968, at United Artist Recorders in Hollywood, California. This period marked a significant phase in Presley’s career, as he was making a concerted effort to revitalize his musical journey after focusing extensively on films throughout the 1960s. The session featured accomplished musicians, including guitarists Jerry McGee, Morton Marker, and Robert Gibbons; bassist Max Bennett; drummers Frank Carlson and John Guerin; pianist Don Randi; clarinetist Buddy Collette; trumpeter Roy Caton; and trombonist Lew McCreary. The vocal harmonies were provided by The Mello Men, comprising Jack Halloran, Ronald Hicklin, and Marilyn Mason. The arrangement of “Almost” is characterized by its gentle melody and subtle orchestration, which complement Presley’s emotive vocal delivery.
In The Trouble with Girls, “Almost” is performed in a scene that underscores the film’s exploration of small-town dynamics and personal relationships. The movie itself is a unique entry in Presley’s filmography, blending elements of comedy and drama, and setting itself apart with its ensemble cast and period setting. While the film did not achieve significant commercial success, it has garnered attention over the years for its distinctive narrative and Presley’s performance.
The song “Almost” was later included in the compilation album Let’s Be Friends, released on April 1, 1970, by RCA Records’ budget label, RCA Camden. This album was part of a series of budget releases aimed at making Presley’s music more accessible to a broader audience. Let’s Be Friends features a collection of tracks that had not been previously available on LPs, offering fans a chance to experience some of Presley’s lesser-known recordings. While the album did not produce major chart-topping hits, it contributed to maintaining Presley’s presence in the music scene during a transitional period in his career.
Musically, “Almost” can be classified within the pop genre, with its smooth arrangement and heartfelt lyrics reflecting the stylistic tendencies of late 1960s pop ballads. The song’s themes of near-fulfilled dreams and the bittersweet nature of “almost” achieving one’s desires resonate with universal emotions, showcasing Presley’s ability to convey deep sentiment through his vocal performance.
While “Almost” did not achieve significant commercial success as a standalone single, its inclusion in both the film and subsequent album releases has allowed it to endure as a cherished piece among Elvis enthusiasts. The song exemplifies Presley’s versatility and his capacity to imbue even the most understated tracks with profound emotional depth.
In the broader context of Presley’s career, “Almost” represents a moment of artistic exploration during a time when he was striving to redefine his musical identity. The late 1960s were a transformative period for Presley, highlighted by his 1968 “Comeback Special,” which reestablished him as a formidable live performer. “Almost,” with its introspective lyrics and tender melody, offers insight into the more contemplative aspects of Presley’s artistic expression during this era.
In summary, “Almost” stands as a testament to Elvis Presley’s enduring artistry, capturing a nuanced performance that reflects both his musical versatility and emotional resonance. Though not a chart-topping hit, the song remains a noteworthy entry in Presley’s extensive catalog, appreciated for its lyrical poignancy and the glimpse it offers into a pivotal phase of his illustrious career.