Introduction:
This song’s roots lie in the fertile ground of rhythm and blues. Originally penned and recorded by Arthur Gunter in 1954, it possessed a raw energy and a playful sensuality that resonated with young audiences. Presley, with his youthful charm and undeniable charisma, took that energy and dialed it up to eleven.
Sun Studio, the legendary Memphis recording studio, witnessed the birth of “Baby Let’s Play House” in February 1955. With only Presley himself, the legendary guitarist Scotty Moore, and bassist Bill Black by his side, they crafted a sound that was both intimate and electrifying. Moore’s stinging guitar lines danced around Presley’s smooth vocals, while Black’s steady bass provided the foundation for this nascent rock and roll sound.
The magic of “Baby Let’s Play House” lies in its simplicity. The lyrics, though seemingly straightforward – a young man pleading with his sweetheart to settle down and build a life together – are delivered with a sincerity and vulnerability that resonated deeply with audiences, particularly teenagers yearning for a sense of belonging and commitment. Presley’s voice, a potent cocktail of gospel fervor and Southern charm, imbues the song with a raw emotional power.
It’s important to remember the musical landscape of 1955. Country music dominated the charts, with its focus on storytelling and traditional instrumentation. “Baby Let’s Play House” dared to be different. It possessed a youthful exuberance, a rhythmic drive, and a vocal delivery that was unlike anything heard before. This was music for a new generation, a generation yearning to break free from the shackles of the past.
The impact of “Baby Let’s Play House” was undeniable. Though not a chart-topping smash in the traditional sense, reaching number five on Billboard’s country music chart and number ten in sales, it was a cultural touchstone. It introduced a wider audience to the raw power and emotional resonance of rhythm and blues, paving the way for the rock and roll revolution that Presley would spearhead in the years to come.
“Baby Let’s Play House” may not be Presley’s most famous song, but its significance cannot be understated. It captured a moment in time, a pivotal shift in American music, and introduced the world to a young man with a voice that would change the course of popular culture. It’s a song that deserves its place in the annals of music history, a testament to the transformative power of a simple plea: “Baby, let’s play house.”
Video:
Lyrics:
“Baby, Let’s Play House”
Baby, baby baby, b-b-b-b-b-b baby baby, baby.
Baby baby baby
Come back, baby, I wanna play house with you.Well, you may go to college,
You may go to school.
You may have a pink cadillac,
But don’t you be nobody’s fool.
Now baby,
Come back, baby, come.
Come back, baby, come.
Come back, baby,
I wanna play house with you.
Now listen and I’ll tell you baby
What I’m talking about.
Come on back to me, little girl,
So we can play some house.
Now baby,
Come back, baby, come.
Come back, baby, come.
Come back, baby,
I wanna play house with you.
Oh let’s play house, baby.
Now this is one thing, baby
That I want you to know.
Come on back and let’s play a little house,
And we can act like we did before.
Well, baby,
Come back, baby, come.
Come back, baby, come.
Come back, baby,
I wanna play house with you.
Yeah.
Now listen to me, baby
Try to understand.
I’d rather see you dead, little girl,
Than to be with another man.
Now baby,
Come back, baby, come.
Come back, baby, come.
Come back, baby, I wanna play house with you.
Oh, baby baby baby.
Baby baby baby b-b-b-b-b-b baby baby baby.
Baby baby baby.
Come back, baby, I wanna play house with you.