Introduction:

Ah yes, “A Good Year For The Roses”, a poignant duet that brought together two country music titans: the legendary George Jones and the rising star of the 90s, Alan Jackson. Released in 1994 on The Bradley Barn Sessions, this track wasn’t just a showcase of impressive vocal talent, it encapsulated the essence of heartache and the quiet strength of resilience that country music storytelling thrives on.

George Jones, by 1994, was already a country music icon. His voice, often described as rough and expressive, had delivered countless hits since the 1950s. His personal struggles with alcohol were no secret, and they often lent a raw authenticity to his singing, particularly in songs about heartbreak and loss. Alan Jackson, on the other hand, was a fresh voice on the scene. Though clearly influenced by classic country, his sound had a contemporary edge, appealing to a new generation of listeners.

The concept behind The Bradley Barn Sessions was a stroke of brilliance by producer Brian Ahern. He brought Jones back to the historic Owen Bradley studios, known for its signature “Nashville Sound” – a warm, full-bodied production style that dominated country music in the mid-20th century. Pairing Jones with established and up-and-coming artists was another masterstroke. “A Good Year For The Roses” became the only single released from the album, a testament to the power of this particular collaboration.

The song itself, written by Jerry Chesnut, is a masterclass in country balladry. It tells the story of a failing marriage, with details so evocative they paint a vivid picture. We see the remnants of a fight – lipstick on cigarettes, a cold cup of coffee – all hinting at a love that’s gone cold. The imagery of the roses blooming in the neglected yard becomes a metaphor for the beauty that still exists despite the withering relationship.

What truly elevates the song, however, is the interplay between Jones and Jackson’s voices. Jones, with his weathered weariness, perfectly embodies the heartbroken husband. Jackson, with his youthful sincerity, adds a layer of vulnerability. Together, they create a tapestry of emotions, capturing the resignation, the lingering hope, and the quiet devastation that comes with the end of a love affair.

“A Good Year For The Roses” may not have been a chart-topping smash hit, but it resonated deeply with fans. It won the Music City News Country Awards “Vocal Collaboration of the Year” in 1995, a well-deserved recognition of the vocal magic Jones and Jackson weaved together. More importantly, it stands as a testament to the enduring power of country music – its ability to capture the complexities of human emotions with simple storytelling and heartfelt singing.

Video:

Lyrics:

“A Good Year For The Roses”
I can hardly bear the sight of lipstick
On the cigarettes there in the ashtray
Lyin’ cold the way you left them
At least your lips caressed them
While you packedAnd a lip print on a half filled cup of coffee
That you poured and didn’t drink
But at least you thought you wanted it
That’s so much more than I can say for me

But what a good year for the roses
Many blooms still linger there
The lawn could stand another mowin’
It’s funny, I don’t even care
And when you turned and walked away
And as the door behind you closes
The only thing I know to say
It’s been a good year for the roses

After three full years of marriage
It’s the first time that you
Haven’t made the bed
I guess the reason we’re not talkin’
There’s so little left to say
We haven’t said
While a million thoughts
Go runnin’ through my mind
I find I haven’t spoke a word
And from the bedroom those familiar sounds of our one baby’s cryin’
Goes unheard

But what a good year for the roses
Many blooms still linger there
The lawn could stand another mowin’
It’s funny, I don’t even care
And when you turned and walked away
And as the door behind you closes
The only thing I know to say
It’s been a good year for the roses