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Introduction:

Ah, yes, Elvis Presley’s iconic “Whole Lotta Shakin’ Goin’ On”. Released in 1957, this song stands as a true landmark in American music history. It’s a scorcher, a rockabilly powerhouse that captured the raw energy and burgeoning rebellion of the youth in the late 1950s.

Now, Elvis wasn’t the originator of rockabilly. That title belongs to pioneers like Sun Records’ artists, particularly those like Carl Perkins and Jerry Lee Lewis. But Elvis, with his undeniable charisma, good looks, and that smooth, powerful voice, became the genre’s face. “Whole Lotta Shakin’ Goin’ On” wasn’t even his first single, but it was the one that truly catapulted him to superstardom.

The story behind the song itself is almost as electrifying as the music. Written by Dave Williams and Sunny David, it was initially rejected by Elvis’ producer, Colonel Tom Parker. The Colonel, a shrewd businessman, worried about the song’s suggestive lyrics and its potential to offend audiences. But Elvis, ever the instinctive performer, loved the song’s energy. During a recording session in Louisiana, with legendary session musicians like Scotty Moore on guitar, Bill Black on bass, and D.J. Fontana on drums, Elvis reportedly insisted on giving “Whole Lotta Shakin’ Goin’ On” a try. The result? Magic. The raw, pulsating energy of the band, fueled by Elvis’ passionate vocals, created a sound that was impossible to ignore.

The lyrics themselves are a masterpiece of sly innuendo. Elvis sings about a dance party where the music is so infectious, the moves so suggestive, that it’s causing a “whole lotta shakin’ goin’ on.” He warns the folks at home – his “mama” and his “daddy” – that they wouldn’t “understand” what’s happening at this wild party. It’s a brilliant use of double entendre, a way to express the raw excitement of the music without ever being too explicit.

The impact of “Whole Lotta Shakin’ Goin’ On” was immediate and seismic. Radio stations initially resisted playing it, fearing the suggestive nature. But the demand from teenagers was too strong. The song became a massive hit, topping the Billboard charts and selling millions of copies. More importantly, it cemented Elvis’ image as the king of rock and roll. His electrifying stage performances, accentuated by his suggestive hip gyrations, further fueled the fire. Elvis became a cultural phenomenon, a symbol of youthful rebellion and a new, exciting sound.

“Whole Lotta Shakin’ Goin’ On” wasn’t without its critics. Some saw it as vulgar and disrespectful. But there’s no denying its musical significance. It’s a masterclass in rockabilly, a genre that blended the driving rhythms of rhythm and blues with the twangy guitars and storytelling of country music. It paved the way for countless rock and roll artists who followed.

So, when you hit play on “Whole Lotta Shakin’ Goin’ On,” you’re not just listening to a song. You’re experiencing a pivotal moment in American music history. You’re hearing the raw energy of a new generation, the birth of rock and roll, and the rise of a king.

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Lyrics:

“Whole Lotta Shakin’ Goin’ On”

I said come on over baby,
a-whole lotta shakin’ goin’ on
Yeah I said come on over baby,
a-whole lotta shakin’ goin’ on
Well we ain’t fakin’,
a-whole lotta shakin’ goin’ on

Mmm, I said come on over baby,
we got chicken in the barn
Whose barn, what barn, my barn
Come on over baby,
we got the bull by the horns
Yeah, we ain’t fakin’,
a-whole lotta shakin’ goin’ on

Well, I said shake baby, shake
I said shake, baby shake now
I said shake it baby, shake it
I said shake it baby, shake
We ain’t fakin’,
a-whole lotta shakin’ goin’ on

Well, I said come on over baby,
a-whole lot-ta shakin’ goin’ on
I said come on over baby,
a-whole lotta shakin’ goin’ on
Well we ain’t fakin’,
a-whole lotta shakin’ goin’ on

Well my mom-mom-mom,
I said shake it baby, shake it
I said shake it baby, shake it
I said shake it baby, shake all right
I said shake it baby, shake it
We ain’t fakin’,
a-whole lotta shakin’ goin’ on