Introduction:
“Almost” is a poignant ballad recorded by Elvis Presley in October 1968 at United Recorders in Hollywood, California. The song was written by Buddy Kaye and Ben Weisman, a duo known for their contributions to Presley’s musical repertoire. “Almost” was featured in Presley’s 1969 film, “The Trouble with Girls,” where he performed the song, adding a layer of depth to the movie’s narrative. The track was later released in 1970 on the compilation album “Let’s Be Friends,” which was issued by RCA Records on their budget label, RCA Camden.
Musically, “Almost” is characterized by its gentle melody and heartfelt lyrics, fitting well within the pop ballad genre. The song’s arrangement includes a delicate piano accompaniment, subtle guitar strums, and an orchestral backdrop that complements Presley’s emotive vocal delivery. The lyrics express a sense of longing and reflection, encapsulating the theme of missed opportunities in love.
While “Almost” did not achieve significant commercial success as a standalone single, it remains a noteworthy piece in Elvis Presley’s extensive catalog. The song showcases Presley’s ability to convey deep emotion through his voice, highlighting his versatility as an artist. Although it may not be as widely recognized as some of his other hits, “Almost” holds a special place for fans who appreciate the more introspective side of Presley’s music.
The album “Let’s Be Friends,” which includes “Almost,” was part of RCA’s strategy to repackage previously unreleased or lesser-known tracks, making them accessible to a broader audience. Despite being a budget release, the album achieved commercial success, reaching number 105 on the Billboard 200 chart. This success reflects the enduring appeal of Presley’s music and the continued interest in his work during that era.
In summary, “Almost” is a testament to Elvis Presley’s talent for interpreting and delivering emotionally resonant ballads. Its inclusion in “The Trouble with Girls” and subsequent release on “Let’s Be Friends” contribute to its place in Presley’s discography as a cherished, though understated, gem. The song exemplifies Presley’s ability to connect with listeners on an emotional level, a quality that has ensured his enduring legacy in the world of music.