Introduction:
“Love Song of the Year” is a track by Elvis Presley, featured on his 1975 album “Promised Land.” The song was recorded on December 12, 1973, at Stax Studios in Memphis, Tennessee.
The recording session included notable musicians such as guitarists James Burton, Johnny Christopher, and Charlie Hodge; bassist Norbert Putnam; drummer Ronnie Tutt; and pianists David Briggs and Per-Erik Hallin. Background vocals were provided by Kathy Westmoreland, Mary (Jeannie) Greene, Mary Holladay, Susan Pilkington, Voice, and J.D. Sumner & The Stamps. Overdubs featured additional guitar work by Dennis Linde and Alan Rush, percussion by Rob Galbraith, piano by Bobby Ogdin, organ by Randy Cullers, and vocals by Ginger Holladay, Mary Holladay, and Mary Cain.
The song was written by Chris Christian, a songwriter and musician known for his contributions to both secular and Christian music genres. “Love Song of the Year” showcases Presley’s ability to interpret contemporary ballads, reflecting his versatility as an artist during the later years of his career.
“Promised Land,” the album featuring “Love Song of the Year,” was released on January 15, 1975. The album includes a mix of rock, country, and ballad tracks, highlighting Presley’s eclectic musical influences and his commitment to exploring diverse genres. The recording sessions at Stax Studios were part of Presley’s efforts to reconnect with his roots in Memphis and to work in a more relaxed and familiar environment.
While “Love Song of the Year” was not released as a single, it remains a notable track within Presley’s extensive catalog, appreciated by fans for its heartfelt lyrics and Presley’s emotive vocal performance. The song contributes to the overall depth and diversity of the “Promised Land” album, which received positive reviews for its production quality and Presley’s dynamic performances.
Elvis Presley’s work during this period reflects his dedication to musical growth and his desire to experiment with different styles and sounds. “Love Song of the Year” exemplifies this artistic exploration, offering listeners a glimpse into the emotional depth and versatility that characterized Presley’s music in the mid-1970s.